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Beautiful flowers at Reford Gardens.

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(From the plaque- Texte sur la plaque)

VORTEX , 2012



Peinture à l’acrylique sur plexiglas, aluminium, et acier inoxydable
Acrylic on plexiglass, aluminum and stainless steel

Collection des Amis des Jardins de Métis
Amis des Jardins de Métis collection.

Vortex, traces a ludic path that amplifies the inherent aura of mystery of the area. The shape of the composition contrasts with the modern assembly, by borrowing from sheer nature: pollen, ferns, insects. The eye is directed through a portal that captures transforms and reveals the immediate surroundings - microscom and macrocosm. By approaching the piece from different angles, the visitor is drawn in, thus creating the vortex.

Marie-Claude Hamel (1986- ) has developed an intimate link with the Reford Gardens that reflects on her work. She lives and works at a stone’s throw away from the gardens, in Saint-Octave-de-Métis. That’s where she founded the Centre d’art Hamel, both workshop and gallery for the work. Since 2004 her work has been shown in many parts of the province of Quebec.

This project was made possible by the collaboration of Placements Franklin Templeton and the Reford Gardens, as well as the students from the Saint-Octave-de-Métis elementary school who have painted the rings.


Vortex (tourbillon en latin) trace un chemin ludique qui amplifie l’aura de mystère propre au lieu. La forme de la composition contraste avec le modernité de l’assemblage, en se réclamant de la nature brute : pollen, fougères, insectes. Le regard est dirigé à travers un portail qui capture , transforme et révèle son environnement immédiat- microscome et macroscome. En abordant l’œuvre à partir de différents points de vue, de l’avant-plan vers les couches plus profondes, le visiteur se trouve lui-même happé par le tourbillon : du fait même, il crée le vortex.

Marie-Claude Hamel (1986- ) a développé un lien intime avec les Jardins de Métis, qui se reflète dans son travail. Elle vit et travaille à deux pas des Jardins de Métis, à Saint-Octave-de-Métis. Elle y a fondé le Centre d’art Hamel, atelier de création et diffusion de son travail. Depuis 2004, ses œuvres – en art visuel et photographie – ont été présentés un peu partout au Québec.

Ce projet a été réalisé grâce à la collaboration de Placements Templeton et des Jardins de Métis, ainsi que des élèves de l’école primaire de Saint-Octave-de-Métis, qui ont peint les anneaux


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From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

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Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada

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Date: 2018-08-10 21:06:05


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Excelente captura ,bello punto de luz y color ,Abrazos amigo,
teresopi 2016-04-24 14:38:30
Muchas gracias por su comentario! Saludos amigo.
J P Gosselin 2016-04-24 15:10:29
rollerkiki8 2018-03-16 18:41:06
[] Thanks :-) :-)
J P Gosselin 2018-03-17 21:49:13

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